Paper 2 mock exam: learner response

 1) Type up your feedback in full (you do not need to write mark/grade if you do not wish to).

www: some  consideration  of the context 

EBI: more clear focus on the  question keyword

 www: reference to  at the end 

EBI: closer analysis of the voice  and industry  inform mise  synoptic coverage- other key concepts 


2) Did you succeed in meeting or exceeding your target grade for A-Level Media in this paper? If not, how many additional marks do you need to achieve your target grade in Paper 2?

 got target grade needed  3 marks to reach the next  grade.

These are the grade boundaries we've used (out of 84): 


A* = 71; A = 62, B = 52; C = 43; D = 33; E = 24


3) Write a question-by-question analysis of your performance. For each question, write how many marks you got from your the number available and identify any points that you missed by carefully studying the AQA indicative content in the mark scheme.

Q1 7/9 to get  2 more marks  mention Levi Strauss mention the form and purpose , enigma codes and  and direct mode of address as well as more language of the front cover.  include spelling keyword, capital letter  and theorists 

Q2 15/25 - I need  to incorporate  more theorists and focus on feminist theory such as Mulvey.  

Q3 15/25 i need to be more detailed  and actually  plan out my answer 

Q4 11/25 - I got burnt out on this question  i need to include theorist in this question and include all aspects   of liar 


Example Q2: 8/25 marks


4) Look at question 4 - the synoptic question. How many of the four key concepts did you cover in your answer? Write a new essay plan for this question using the indicative content in the mark scheme and taking care to include at least three of Language - Representations - Audience - Industries. You can use bullet points but make sure you offer enough content to meet the criteria for Level 5 (top level). This will be somewhere between 3-4 well-developed paragraphs planned in some detail.

paragraph 1 - intro - agree with the statement 

paragraph 2 - the voice

theorist 

curran and Seaton

Livingstone and Lunt

Paul Gilory

 

  • As a bi-media product, the shift in focus from print to online might suggest the need for greater opportunities for interactivity for success.  
  •  Criteria for success would include The Voice’s role as a campaigning presence, based on a close relationships with it's audience  
  • The Voice has faced severe financial difficulties which could be discussed in the context of its relationship to the contemporary audience and their expectations of opportunities for interactivity.
  • It could be argued that opportunities for interactivity are limited – reasons and effects of this limitation could be discussed in the context of audience and industry.
  • Representation of local community issues could be understood as creating a closer relationship with the audience in a similar – more productive? – way to interactivity. relationship with its audience, suggesting the need for interactivity.  
  • paragraph 3- Taylor swift   

    • Interactivity is central to the existence of social media as a form, with users creating and sharing content.

    • This CSP illustrates the tension central to the success of social media, namely that it creates the impression of intimacy and individual expression while being a product of media conglomerates.

    • The success of a celebrity’s social media presence can be evaluated through the construction of a persona, promotion of the celebrity and connection to the fans.

    • Opportunities for interactivity can be explored in relation to the above criteria of success – in what ways are fans able to interact ‘with’ Taylor Swift? What is the level of engagement? What aspects of the persona are the fans interacting with?

    • Taylor Swift’s focus on issues of identity in her representation provides opportunities for fans to explore these areas in their own contributions. 

    curran and Seaton

    Livingstone and Lunt  

    paragraph 4   applies to both 

    • development of online media forms as characteristic of the interactive media landscape and the contemporary move away from print and linear formats

    • the nature of the online form creates accessibility for the user, blurring the division between producer and audience

    • the identification of opportunities for audience interaction in the products – what is actually meant by interactivity in media products?

    • consideration of the criteria of success in contemporary media – scale of consumption? Developing an identity? Constructing a relationship between audience and product? Promotion? Public service?

    • apply relevant theories of audience as part of the theoretical framework: what do they suggest about the relationship between audience and producer?


    paragraph 5  

    conclusion  - summaries the point 

    5) Based on the whole Paper 2 Learner response, plan five topics / concepts / CSPs / theories that you will prioritise in your Easter Media revision timetable.

    • revise the voice and Taylor swift 
    • theorist mainly audience   
    • written language 
    •  answer structure 
    • video games 

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